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Last Updated : 11 Sep, 2022 07:10 AM

Published : 11 Sep 2022 07:10 AM Last Updated : 11 Sep 2022 07:10 AM

கணம்: திரை விமர்சனம்

இசைக் கலைஞன் ஆதி (சர்வாணந்த்), வீட்டு புரோக்கர் பாண்டி (ரமேஷ் திலக்), தனது கல்யாணத்துக்குப் பெண் தேடும் கதிர் (சதிஷ்) ஆகிய மூவரும் பள்ளிக் காலத்திலிருந்து இணை பிரியாத நண்பர்கள். இளமையிலேயே அம்மாவை இழந்த ஆதிக்கு ஒரு ஏக்கமும், மற்ற இருவருக்கும் தனிப்பட்ட அபிலாசைகளும் இருக்கின்றன. இந்த சமயத்தில் கால இயந்திரத்தை உருவாக்கிய ரங்கி குட்டப்பாலை (நாசர்) சந்திக்கிறார்கள்.

‘காலம் உங்களுக்கு வழங்க மறுத்த இரண்டாவது வாய்ப்பை, எனது கால இயந்திரம் உங்களுக்கு தரும். அதன் மூலம் கடந்த காலத்துக்குப் பயணித்து உங்களுடைய விருப்பங்களை நிறைவேற்றிக்கொள்ளுங்கள்; அப்படியே என்னுடைய விரும்பம் ஒன்றையும் நிறைவேற்றித் தாருங்கள்’ என்கிறார். குட்டப்பாலின் கோரிக்கையை ஏற்று கடந்த காலத்துக்குப் பயணிக்கும் மூவரும் அங்கே யாரையெல்லாம் சந்தித்தார்கள்? எதையெல்லாம் மாற்ற விரும்பினார்கள்? குட்டப்பாலின் கோரிக்கையை நிறைவேற்றினார்களா? மீண்டும் நிகழ்காலத்துக்கு அவர்களால் திரும்ப முடிந்தா என்பது கதை.

வாழ்க்கையின் போக்கில் நிகழ்ந்துவிடும் பல முக்கிய சம்பவங்கள், இழப்புகள் ஆகியவற்றை மாற்றியமைக்க முடிந்தால் எவ்வளவு நன்றாக இருக்கும் என்பது எக்காலத்துக்குமான மனித மனதின் ஏக்கங்களில் ஒன்று. அதைக் காலப் பயணத்தின் வழியாக சாத்தியமாக்கும் கற்பனைக்கு, ‘தாய்மை’ எனும் உலக உணர்வின் வழியாக உயிர்கொடுக்க முயன்று அதில் முழு வெற்றியைப் பெற்றிருக்கிறார் இயக்குநர் ஸ்ரீகார்த்திக்.

வாழ்க்கையின் அர்த்தமும் அதன் ஆதாரசுருதியும் கடந்த காலத்தில் இல்லை, அவை நிகழ்காலத்தின் ஒவ்வொரு கணத்தையும் வாழ்வதில்தான் அடங்கியிருக்கிறது எனும் நடைமுறைத் தத்துவத்தை, உணர்வுகளால் கட்டியெழுப்பிய ‘கூஸ் பம்ப்’ காட்சிகளின் வழியாகச் சித்தரித்திருக்கிறார். வாழ்வின் போக்கில் இயல்பாய் உதிரும் தூய நகைச்சுவையையும் திறம்படப் பயன்படுத்திக்கொண்டிருக்கிறார்.

நாயகன், அவனுடைய நண்பர்கள், தாய், தந்தை, காதலி, விஞ்ஞானிகள் என மனதில் தங்கும் கதாபாத்திரங்களின் உலகைச் சித்தரித்த விதம், பார்வையாளர்களை ஒரு ‘நாஸ்டால்ஜிக்’ காலப் பயணத்துக்குள் அழைத்துச் சென்று கடந்த கால நினைவுகளை கிளரும்படி செய்கிறது.

20 ஆண்டுகள் பின்னோக்கிய காலப் பயணத்தில் தங்களையே சிறுவர்களாகச் சந்தித்து அவர்களுடன் பழகும் மூன்று நண்பர்களும் எதிர்கொள்ளும் திருப்பங்கள், திகட்டாத வண்ணம் அமைக்கப்பட்டிருப்பதும் சரியான கால அளவுக்குள் படம் அடங்கிவிடுவதும் உயர்தரமான திரை அனுபவத்தைச் சாத்தியமாக்கிவிடுன்றன.

எத்தனை படங்களில் நடித்தாலும் நாசர் தாமொரு நடிப்பு ராட்சசன் என்பதை நிரூபிக்கிறார். அமலாவின் நடிப்பில் முதுமையின் களைப்பு இழைந்தாலும், காணாமல்போனபோது சிறுவனாக இருந்த தன் மகன் இளைஞனாக தன் முன்னால் நிற்பதாக நம்பி ‘குட்லூ’ என தாய்மை குறையாமல் வாஞ்சையுடன் அழைக்கும் அந்த ஒரு காட்சியில் கலங்க வைத்துவிடுகிறார். இந்த இருவருக்கும் அடுத்த இடத்தில் சர்வாணந்த், ரிது வர்மா, ரமேஷ் திலக், சதிஷ், ரவீந்தர், சிறார் நடிகர்கள் என்கிற வரிசையில் அனைவருமே கதாபாத்திரங்களுக்கான நடிப்பால் ஈர்த்துவிடுகிறார்கள்.

1998இல் பெட்ரோல் விலை 24 ரூபாய் என்பதைச் சுட்டிக்காட்டி, 2019இல் காலி மது பாட்டில்களைக் காட்டி சிறார்கள் வழியாக கேள்வி எழுப்பி இயக்குநர் ஸ்ரீகார்த்திக், சிறந்த திரைக்கதை எழுத்தாளராக நம் மனதில் இடம்பிடித்துக்கொள்கிறார்

கால இயந்திரத்தைக் காட்டி, ‘குவாண்டம்’ இயற்பியலின் விதிகள் குறித்து பாடம் எடுத்துக்கொண்டிருக்காமல், குட்டப்பாலும் மைக்கேலும் இணைந்து முதலில் உருவாக்கியபோது அதன் வடிவம் எப்படியிருந்தது, அதன்பின்னர் 20 ஆண்டுகள் கழித்து குட்டப்பால் உருவாக்கிய முன்னேறிய வடிவம் எப்படியிருந்தது என்பதை சித்தரித்த விதத்திலேயே பார்வையாளர்களுக்கு நம்பகத் தன்மையை உருவாக்கிவிட்டது வி.எஃப்.எக்ஸ் மற்றும் தொழில்நுட்பக் குழு.

இசை ஒரு கதாபாத்திரமாக மாறி படம் முழுவதும் இழைகிறது. ஜேக் பிஜாயின் இசையில் ‘ஒரு முறைப் பாரம்மா’ என்கிற பாடல் திரையரங்கை விட்டு வெளியேறிய பின்னரும் மனதுள் ஒலிக்கிறது.

கலை இயகுநர் சதீஷ்குமாரின் நேர்த்தியான கலை இயக்கமும் 1998, 2019 ஆகிய கால கட்டங்களை உணர்த்தும் சுஜித் சரங்கின் ஒளிப்பதிவும் இயக்குநர் ஸ்ரீகார்த்திக்கின் கற்பனையை நிஜம்போல் சாத்தியமாக்கித் தந்திருக்கின்றன.

இந்தியத் தன்மையிலிருந்து விலகாமல், அதேநேரம், மொழி, தேச எல்லைகளைக் கடந்து, உலகப் பொதுமையான மனித உணர்வுகளை இணைக்கும் ஒரு ‘டைம் ட்ராவல்’ படத்தை தமிழ் சினிமாவால் தர முடியும் என்பதற்கு பெருமைமிகு உதாரணமாக வந்திருக்கிறது ‘கணம்’.

அன்பு வாசகர்களே....

இந்த ஊரடங்கு காலத்தில் வீட்டை விட்டு வெளியே வராமல் நமக்கு நாமே சமூக விலகல் ( Social Distancing) செய்து கொள்வோம். செய்தி ஊடகங்களின் வழியே உலகுடன் தொடர்பில் இருப்போம். பொதுவெளியில் இருந்து தனிமைப்படுத்திக் கொண்டு கரோனா பரவலைத் தடுப்பதில் நம் பங்கை முழுமையாக இந்த சமூகத்துக்கு அளிப்போம்.

CoVid-19 கரோனா தடுப்பு / விழிப்புணர்வு கையேடு - இலவசமாக டவுன்லோடு செய்து பயன்பெறுங்கள்!

- வாசகர்கள் நலனில் அக்கறையுடன் இந்து தமிழ் திசை

தவறவிடாதீர்!

•   எடுக்க மறந்த இறப்புக் காட்சி சென்டிமென்ட் - ‘விக்ரம்’ பட அனுபவம் பகிரும் காய்த்ரி
•   அழுத்தமான வசனம்... - அதர்வாவின் ‘ட்ரிக்கர்’ ட்ரெய்லர் எப்படி? - ஒரு விரைவுப் பார்வை
•   ஷங்கர் - சூர்யா காம்போவில் படமாகிறது ‘வேள்பாரி’ நாவல்?
•   “20 வருடங்களில் 25 படங்கள்தான்... குவான்டிட்டியை விட குவாலிட்டி முக்கியம்” - ஜெயம் ரவி

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Kanam Movie Review: A cathartic film with a big idea and a bigger heart

Rating: ( 3.5 / 5).

Time heals… But before we can get to the healing part, there are multiple stages that we all undergo. It is in one of these stages that filmmaker Shree Karthick decided to make his debut film, Kanam , which is an extension of his personal suffering, but not without the finesse of a well-made multi-genre film. It is interesting how Tamil cinema marries the sci-fi space with its quintessential masala tropes. We don't often see pure genre films in Tamil, and Kanam is no different, but it isn't a problem because the makers never intend to intellectualise this concept. 

Cast: Sharwanand, Amala, Sathish, Ramesh Thilak

Director: Shree Karthick

Kanam begins with a car accident, which has an interesting subversion. Right from this moment, Shree Karthick and team cleverly inject small doses of ingenuity into time-tested cliches that never once feel outdated. The film is about Aadhi (Sharwanand), who loses his mother (Amala Akkineni) at a very young age, and finds solace in music. However, his stage fright never allows him to break into the big leagues. His closest friends Kathir (Sathish) and Pandi (Ramesh Thilak), too have their own emotional baggage. The former is unable to find a partner to marry, and the latter has an inferiority complex connected to his unfinished school education and present profession as a real estate broker. 

Shree Karthick uses one of the songs from Jakes Bejoy's brilliant soundtrack to establish the characters of the three friends and their lives. Although, Aadhi's story carries more emotional heft than the others, full points to the makers for giving the usually neglected 'hero's friends' a fulfilling personal character arc. Throw in Nasser, his eclectic time machine, and we are in for a ride riddled with a bunch of existential questions that are treated rather lightly. 

It is imperative that a time-travel film has to follow the rules ascertained in that world. Kanam too has a set of simple rules for a simple sci-fi concept. However, it is so simple that even when Nasser explains time travel to the trio, there is hardly any resistance from them. They aren't really bothered about the ramifications of time travel, and this nonchalance is actually disconcerting. How can someone not stop and ask questions when the idea of time travel is put forth? This lack of wonderment is detrimental to the narrative, which replaces scientific jargon with sentimental dialogues. But, a lot of these missteps, including the rules of the world not really being followed to a T, are overshadowed by the universality of the sentiments, and the performances of the lead cast. 

Despite limited screentime, Amala, who is just known as 'Amma', is the soul of the film. She is the archetype of a doting mother, and it is interesting how she is not given a particular name. She could be anybody's amma, and that is the universality that Shree Karthick wants Kanam to cater to. The three kids — Jay, Hitesh and Nithya — playing the younger versions of Sharwanand, Sathish, and Ramesh Thilak are very sincere in their roles and raise the standards high enough to ensure it isn't a walk in the park for their adult versions. Ramesh stands out with his earnestness and establishes his credentials as an actor who can be given a full-fledged role. Ritu Varma is given a role with very limited scope, but she makes the best of it. Also, points to the writing for giving Ravi Raghavendra, who plays Ravichandran, the father of Aadhi, a solid character arc. He has a penchant for keeping things clean, and knowing the antecedents of this habit is one of the many emotional highs of Kanam . While the central conflict heavily works in favour of the film, it is these nifty side touches that warm the heart a bit more. In fact, the reason for Nasser to go back in time, and the ambiguity existing in his life is a fascinating addition to Kanam that might seem a largely simple amma-sentiment film. 

Just like how Shree Karthick’s debut film is a way of catharsis for the young filmmaker, this feeling is extended to the audience too. Watching Kanam , one gets transported to the wondrous yet taxing world of ‘What Ifs’. We have all once walked through these hallows to find answers to questions we wish we never had. Throughout all time-travel films, it has always been about one single want of the protagonist, which more often than not revolves around love… and regret, in any form. Shree Karthick and team give us a bunch of relatable characters that connect with us on such a deep level that we begin to envision ourselves as them. In fact, even during the runtime of the film, whenever I found time from wiping my tears or sporting a wide smile, I was traversing multiple timelines in my head. However, there is also the fear that too much is left to chance, and we aren’t sure if a course correction in our past is the best way forward. All we have is the present, and Shree Karthick has designed a film that might seem like a conversation with time but is a deeply introspective piece, which urges us to make peace with our decisions and where life has brought us. We know time heals… and films like Kanam remind us that art heals too. 

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Kanam Movie Review: Sharwanand, Amala Akkineni's time-travel film feels like a warm hug on a cold day

Director shree karthick's kanam (oke oka jeevitham in telugu), starring sharwanand and amala akkineni, is a solid time-travel film from a debutant. the film gets its emotional arcs right, says our review..

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• Sharwanand and Amala Akkineni play lead roles in Kanam.
• Shree Karthick made his debut as a director with Kanam.
• The film hit the theatres on September 9.

Tamil cinema has had very little success with the concept of time travel. Vishnu Vishal's Indru Netru Naalai tried to explain the scientific concept of time travel in a way that even a layperson could understand. Now, director Shree Karthick brings you Kanam, another Tamil film that has time travel at its core.

Aadhi (Sharwanand), Pandi (Ramesh Thilak) and Kathir (Sathish) have been friends since childhood. Pandi is a real-estate broker and through him, the trio meets scientist Paul (Nasser), who invents a time travel machine. Since Aadhi is grieving the loss of his mother (Amala Akkineni) for 20 years, Paul suggests time travel so he can see his mom once again. The decision was a no-brainer for Aadhi. Pandi and Kathir have their reasons as well. Pandi wants his younger self to concentrate on his studies so he could have a better shot at life. As for Kathir, his classmate Savitha had tried to win his love in school, but, Kathir paid no heed. Now, all grown up, Savitha is married to another classmate. Now, Kathir wants to take a chance, to go back in time and woo Savitha.

Director Shree Karthick dedicated Kanam (Oke Oka Jeevitham) to his late mother. And we see why as the film progresses. Aadhi is an aspiring musician but suffers from social anxiety. His mother was his source of support and confidence. But, just when he felt ready to face his fear, he loses his mother in an accident. His anxiety gets worse. Though Aadhi's girlfriend (Ritu Varma) tries to be the comforting factor in his life, it's not the same. The whole dynamic between Aadhi's relationship with his mother and his girlfriend explains how people deal with grief and anxiety disorders.

Kanam is thoughtful in its approach to dealing with one's emotions. There is no unnecessary glorification or dramatic music to elevate a scene. The emotions are as real as they get. And that's where Kanam stands apart. The concept of time travel is not just a visiting card for Kanam. It travels throughout the story and in a compelling manner.

However, there are certain sequences that reek of melodrama. But, these flaws are subverted by the emotional arcs of the lead characters. And the climax about the inevitability of fate is relevant in this day and age.

Sharwanand seemed at ease playing the role of Aadhi and his sequences with his on-screen mother Amala Akkineni are heartwarming. In fact, when he travels back in time to taste his mom's tea and food, it feels like a warm hug on a cold day. Ramesh Thilak and Sathish as Aadhi's friends were perfect for their roles as well. Nasser, as the scientist, is exceptional with his expressions as always. Ritu Varma gets a brief role, but this is a cakewalk for her.

Kanam evokes nostalgia as it takes us back to the 90s. Watch Kanam for its simplicity.

3 out of 5 stars for Kanam (Oke Oka Jeevitham). Published By: Nairita Mukherjee Published On: Sep 9, 2022 --- ENDS --- ALSO READ | Kanam trailer out. Sharwanand, Amala Akkineni go back in time to change the future

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Kanam/Oke Oka Jeevitham Review: Amala Akkineni & Sharwanand Give a Soulful Drama

The soul of 'kanam' lies in the beautiful bond between the mother and her child., oke oka jeevitham, kanam/oke oka jeevitham review: amala akkineni & sharwanand give a soulful drama.

I think one of the strongest emotions in human life is regret. It isn’t always about what went right, but we constantly dwell on ‘What could have gone right and what if we could reset the past.'

We are living at a time when ‘Artificial Intelligence tapping into the afterlife to bring back deceased loved ones – virtually’ is under debate. While some find it as a way to speak to their dear ones after death, some consider it a way to reopen wounds of the traumatic past that deter one from healing, and living present life to the fullest.

Director Shree Karthick sits on this human emotion, and infuses it into the sci-fi genre to render his take through a time-travel journey in Kanam (Tamil)/ Oke Oka Jeevitham (Telugu).

The story revolves around three friends, Aadhi (Sharwanand) struggling musician who is not over his mother's demise, Pandi (Ramesh Thilak) who has an inferiority complex for not continuing his education, and Kadhir (Sathish) who regrets avoiding a school crush for unrealistic reasons. They grab the chance to travel back in time to correct their mistakes from their childhood, hoping to change the course of their present lives.

Compared to the time travel films from Hollywood, or those in Tamil cinema like Suriya’s 24 or Vishnu Vishal’s Indru Nettru Naalai , Kanam stands out for giving this genre a unique spin off.

The soul of the film lies in the beautiful bond between the mother and her child. The sequences that involve Amala and Sharwanand are truly heart-wrenching.

And hence, Kanam scores more as a soulful emotional drama than as an intellectual sci-fi film. It reminds us that life doesn’t always give us a second chance to reset our past. On the contrary, it gives us an umpteen number of chances if we realize that ‘now’ is what’s real. By living the present, we eventually get healed from our past traumas and transcend our 'regret' into 'memories of love'.

One of the most interesting aspects of the film is when the lead characters realize they have swapped their timelines. However, there are logical loopholes associated with it.

For instance, the characters like school security, Savitha (the girl who was fond of Kadhir) and Santhosh (Kadhir's childhood nemesis) are acquainted with the younger versions of the main leads in the past (played by Jay Adithya, Nithyaraj, & Hitesh). However, when those characters grow old and meet the same younger versions in the future due to the timeline swap, they do not seem recognize the kids.

Didn't Santhosh send his marriage invitation to Kadhir very recently? Also, how can Savitha forget her childhood crush when she was so fond of him in the past? Or is it the norm and I am the only one still struggling to forget my school crush?

Another scene is when Sharwanand, Ramesh Thilak and Kadhir run from the police who chase them in a jeep. They are not caught until they magically reach their intended destination, which they didn't know the address of, in the first place.

Nasser , Ravichander, Ritu Varma render formidable performances in their limited scope. Amala Akkineni steals the show with her authentic and natural rush of motherly sentiment. Jakes Bejoy’s music plays a major role in elevating the emotional highs and lows of the film. While the film did consume a lot of time to set-up, the climax makes you forget all the flaws you might have pointed out with the screenplay.

In his debut, director Shree Karthick renders an endearing tribute to his late mother while resonating universally with every child that’s grappling with their parent’s demise.

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• What is the release date of 'Kanam'? Release date of Sharwanand and Ritu Varma starrer 'Kanam' is 2022-09-09.
• Who are the actors in 'Kanam'? 'Kanam' star cast includes Sharwanand, Ritu Varma, Amala Akkineni and Sathish.
• Who is the director of 'Kanam'? 'Kanam' is directed by Shree Karthick.
• What is Genre of 'Kanam'? 'Kanam' belongs to 'Sci-Fi' genre.
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